2-Channel Video
3 minutes 47 seconds
(2020)
Although the scrambling of the visuals and audio seem playful, Screentime challenges the Lacanian male gaze as it focuses on the surveillance and capturing of women on camera. It deliberately occupies the screen with women and pushes any masculine depiction out of frame. Altogether, the installation depicts a multitude of dichotomies; it shifts the gaze from male to female, plays with the concepts of subject and object, and highlights the performative behaviors of the female as both an audience member and a willing participator. By shifting the gaze to female protagonists, Screentime reappropriates it's collected television material and alternates the narrative that dominated broadcasting culture in Bahrain and also the rest of the world at that time. By means of distortion and clever re-piecing of sound and image, the installation both empowers the feminine and directs the lens towards what would be lost in the peripheries.
Link to Art Dubai:https://www.artdubai.ae/planetaryfeed_khaleeji-pop_toofar/
Link to Video Lecture: https://readymag.com/u94286319/1972336/